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Author Topic: Six Revisions: How to Design a Space Futuristic Gallery Layout in Photoshop  (Read 346 times)

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How to Design a Space Futuristic Gallery Layout in Photoshop
17 July 2009, 1:57 am



In this web design  tutorial, you’ll find a way to create a 3D space/futuristic  gallery layout with  Photoshop. We cover several methods such as drawing  with the Rectangular Marquee Tool and using the Perspective Transform Tool.

This two-part tutorial series will show you how to create  the layout in Photoshop, and then how to convert the design into a fully  functional web template that uses standards-based HTML/CSS and jQuery in the  second part.

Download the source file

Feel free to download the source file so that you can study  it, though we encourage you to hold off on doing so until you complete the  tutorial so that you can compare your work with the provided Photoshop file.

3d-space-futuristic-gallery-psd.zip (ZIP, 0.23MB)

Final result

Below, you’ll see a preview of the design we hope to achieve  in the end. Click on the image to view the full-scale version of the 3D  space/futuristic image gallery.



Let’s begin the tutorial, shall we?

Setting up the Photoshop canvas

1 Let’s setup our working area. Create a new Photoshop  document, File > New (Ctrl + N) with width of 955px and a height of 600px.



2 In the Layers Panel, choose your Background layer,  and fill your background layer via Edit > Fill (Shift + F5). Use a color  value of #2E2E2E.

Creating the floor of the gallery

3 Create a layer on top of the Background layer.

4 Choose the Rectangular Marquee Tool (M) from the  Tools Panel and create a rectangular selection with a width of 816px and a height of 60px. If you want, to make this precise  selection easier, under the Rectangular Marquee Tool options, under Style,  choose Fixed Size and set the  appropriate width and height values.

5 Fill in your rectangular selection with a white (#FFFFFF) color using Edit > Fill  (Shift + F5). View the following figure to check your work.



6 Now, we’ll add a gradient overlay on the white  rectangle. To do so, we’ll add it as layer style. Right-click on the white  rectangle layer in the Layers Panel, and then choose Blending Options to open  the Layer Styles dialog box.

7 Check the box beside Gradient Overlay to add the layer style, and use the values shown  in the following figure.



8 With our layer styles in place, we’ll alter the  rectangle’s perspective. Choose Edit > Transform > Distort. This will  display transform controls around the rectangle; using the top and middle  transform controls, alter the perspective by dragging the controls on the  canvas. Use the following figure as a guide on how to alter the perspective.



9 Create a marquee selection around the transformed  rectangle by holding down the Ctrl key and then clicking on it’s layer’s  thumbnail in the Layers Panel. Doing so should load a marquee selection around  the object (as shown in the following figure).



10 Create a new selection that will contain the stroke  around the selection. Use Edit > Stroke to add a black stroke around the  selection. Use the settings in the following figure, with a black color (#000000).



11 Choose the Rectangular Marquee Tool (M) from the  Tools Panel and create a selection around the rectangle, but leave out the  bottom border. Check out the following figure as a guide on how to make this  selection.



12 Delete the borders/stroke by choosing Edit >  Clear or pressing the Del  key. This will leave just the bottom border (which is what we want).

13 Choose the layer with the bottom border in your  Layers Panel, and add a Gradient Overlay layer style by double-clicking on the  layer’s thumbnail or right-clicking on it, and then choosing Blending Options  to open up the Layer Style dialog box. Use the values in the following figure.



14 Check your work, you should have something like the  following figure.



15 Directly underneath your 1-pixel bottom border,  make a rectangular selection using the Rectangular Marquee Tool (M). Make the  selection such that it spans the entire width of the bottom border, and have a  height of about 10px. Use the  following figure as a guide on how to create this selection.



16 Use Edit > Fill (Shift + F5) to fill the selection  with a color of #9B9B9B.

17 Check your work, it should look like the following  figure.



Making the walls of the gallery

18 Now, we’re going to create the sides of our 3D  space/futuristic gallery. Choose the Rectangular Marquee Tool (M) from your  Tools Panel, and create a selection on the left-hand side of the floor, using  the subsequent figure as a guide on how to create this selection.



19 Create a new layer on top of the floor layer. Fill  in the selection with any color using  Edit > Fill (Shift + F5).

20 Click on the floor layer while holding down the Ctrl  key to load a selection around it.

21 Make sure that the active layer is the newly  created layer on Step 19. Invert the selection you made from Step 20 using  Select > Inverse (Shift + Ctrl + I).

22 Delete the area underneath the inverted selection  using Edit > Clear or by pressing the Del  key.

23 To make sure you did the preceding steps correctly,  check your work against the subsequent figure.



24 Now, we’ll add a Gradient Overlay layer style on the left wall layer. Double-click  on the layer’s thumbnail to open up the Layer Styles dialog box. Use the  following figure as a guide on how to set the options and values of the  Gradient Overlay.



25 Now, we add a stroke to the left-hand wall, just as  we did with the floor. Load a selection around your wall by clicking its  layer’s thumbnail in the Layers Panel whilst holding down the Ctrl key on the  keyboard.

26 Create a new layer above your wall layer. On this  new layer, Choose Edit > Stroke to add a stroke using the same settings as  in Step 10.

27 Add a Color  Overlay layer style by double-clicking on the layer to open up the Layer  Style dialog box. Use the following figure as a guide on how to adjust the  settings of the color overlay, use #808080 as the color.



28 Just like the floor, we remove some parts of the  border we created but this time, we only remove the bottom and right border  stroke. See the following figure to preview what we’ll be doing in the  succeeding steps.



29 First, create a new layer on top of all the other  layers thus far. On the left-hand side of the wall, choose the Rectangular  Marquee Tool (M) to create a 10px wide selection from the top to the bottom of the frame (see the figure below as  a guide).



30 Choose Edit > Fill to fill in the newly created  selection with a gray color (#9B9B9B).  You should have something like the following figure.



31 Repeat Steps 18 - 30 for the right-hand side wall,  but, to keep our lighting and shadow accurate, when adding the gradient overlay  shown on Step 24, use 180 degrees as  the Angle value (see the following  figure).



32 Make sure that you’re keeping up by checking your  work against the following figure.



Adding inset dividers onto the floor

33 We will divide the floor panel into several  sections; when we place our images on here later on, they’ll help delineate  each thumbnail image. To start, choose the Rectangular Marquee Tool (M) from the  Tools Panel and create a tall 1px wide selection on top of the floor of our space/futuristic 3D gallery. The  height of the selection isn’t important - just make sure that it’s  significantly taller than the floor of image gallery.

34 Create a new layer. With your 1px wide marquee  selection still active, fill in the area using Edit > Fill (Shift + F5) with  a shade of gray (#D6D6D6).

35 With the selection still active, move the 1px wide  selection 1px to the right using your right arrow key. Fill in this area  beneath the selection with a shade of gray, #B8B8B8.

36 See if you did the previous steps correctly by  checking your work against the following figure.



37 Duplicate this 2px line into another layer. Do to  so, with the current layer still active in the Layers Panel, switch to the Move  Tool (V) in the Tools Panel. Hold down the Alt key, and then press the right  arrow key. This will duplicate the line into another layer, moved to the right  by 1px (or your default movement increment).

38 Now, we’ll move this duplicated line to the right  about 100px. To do so, still with  the Move Tool (V) active, hold down the Shift key and press the right arrow key 10 times; with the Shift key held  down, the movement increment should change from only 1px to 10px.

39 We create more inset dividers by repeating Steps 37  - 38. When you’re done, you should end up with something like the following  figure. Notice how all the lines have the same gap/spacing in between them. Also,  notice that the gap/space between the left wall and the first divider, and the  right wall and the last divider is equal.



40 Let’s tidy up a bit by merging all of the inset  divider layers. Do so by right-clicking on the topmost layer and choosing Merge  Down (Ctrl + E). Keep merging down until you only have one layer for all the  inset dividers.

41 Now, we’ll transform the perspective of our inset  dividers so that they follow the 3D orientation of our gallery. Choose Edit  > Transform > Perspective, and drag the top-right transform control  inwards. Use the following figure as a guide on how to transform the  perspective of our inset dividers.



42 Load a selection around your floor (again) by holding  down the Ctrl key and clicking on the layer’s thumbnail in the Layers Panel.

43 Switch back to your inset divider layer, make sure  it’s the active layer in the Layers Panel.

44 Invert the current selection by choosing Select  > Inverse (Shift + Ctrl + I).

45 Delete the area underneath the inverted selection  by choosing Edit > Clear or hitting the Del key. This removes the excess parts of  the inset dividers (see the following figure on how they should look like now).



Creating the background of the gallery

46 First create a new layer underneath all of the  layers thus far (a layer above the Background layer).

47 Choose the Rectangular Marquee Tool (M) from the  Tools Panel and make a selection on the newly created layer, using the  following figure as a guide on how to make the selection.



48 With the selection created, fill the area  underneath the selection by choosing Edit > Fill (Shift + F5); use any color  because we’ll be adding a gradient overlay that will cover up any color you  choose.

49 Open up the Layer Styles dialog box to add a Gradient Overlay; do so by  double-clicking on the layer’s thumbnail. The left color stop of the color gradient  is a gray color (#9B9B9B) and the  right color stop of the gradient has a slightly lighter shade of gray (#D5D5D5). View the subsequent figure to  see what settings should be used for this gradient overlay.



50 Confirm with the following figure that you’re still  on track, you should have something like this:



Making the rounded windows on the background of the gallery

51 We’ll make it look like there are windows you can  look out of. Create a new layer on top of the gallery’s background. Choose the  Elliptical Marquee Tool from the Tools Panel (or if you want, choose the  Ellipse Tool instead). Create a perfect circle by holding down the Shift key  whilst dragging the Elliptical Marquee Tool onto the canvas.

52 Choose Edit > Fill (Shift + F5) to fill in the  circle with any color; it doesn’t matter  what color you choose because we’re going to put something on top of it very  soon.

53 Create a new layer and then make another circle  beside the other one you just created, making it identical to the other one.  Alternatively, just duplicate the other layer (by right-clicking on it, and  then choosing Duplicate Layer) and then use the Move Tool (V) to position it  accordingly. You should have something like the following figure now.



54 To make our gallery look like it’s in outer space,  we’ll use a stock image provided by

James Oliver of  deviantArt called: Earth. Go over to  the Earth page and  copy the image to your clip board.

55 Create a selection around the first circle by  holding down the Ctrl key and then clicking on its layer’s thumbnail.

56 Paste the image from your clipboard into the  circular marquee selection by choosing Edit > Paste Into (Ctrl + Shift + V).

57 Choose the Move Tool (V) from your Tools Panel and  use your mouse to position the background inside the window (for more precise  movements, use your arrow key).



58 Repeat the two previous steps for the right window.



59 By performing the above steps, you’ll notice that  there are now layer masks on top of each circle layer. Right-click on the  layer’s mask, and then choose Apply Mask.

60 Create a marquee selection around the entire  Photoshop canvas by choosing Select > All (Ctrl + A).

61 Now, choose Edit > Crop to crop the canvas to  the selection. Doing this gets rid of any parts of the stock photo hiding  beyond the edge of our Photoshop canvas.

62On our circle/window layers, we’ll add two layer  styles: Inner Shadow and Stroke. See the following figures for  the settings of these layer styles.

The following figure displays the settings for the Inner Shadow layer style:



The following figure displays the settings for the Stroke layer style:



Adding a shine to the windows for realism

63 Using the Elliptical Marquee Tool (or the Ellipse  Tool), create a perfect circle inside one of our circular windows (hold down  the Shift key).

64 Create a new layer, and with the new selection  still active, choose Edit > Fill (Shift + F5) and fill the area underneath  the selection with a white color (#FFFFFF).

65 Add a layer mask by clicking on the Add layer mask  icon on the bottom of the Layers Panel.

66 Choose the Gradient Tool from the Tools Panel, and  make sure that the gradient style is set to Linear  Gradient in its Options bar.

67 With your mouse, apply the linear gradient on the  layer mask from the bottom of the circle to about halfway of the circle.

68 Lower the opacity of this layer to suit your  tastes.

69 Repeat Steps 63 - 68 for the other circular window.  This should add a shine on the windows, to make them look realistic (see the  following figure to check up on your work thus far).



Creating inset dividers in between the circular windows

70 We are now going to add vertical and horizontal  inset dividers onto our gallery background so that the background looks like  they’re panels on a futuristic spaceship. To start, choose the Rectangular  Marquee Tool (M) from the Tools Panel.

71 With the Rectangular Marquee Tool chosen, create  similar inset dividers that we did earlier in the tutorial: as a refresher,  head back up to Steps 33 - 36 under a previous section called " Adding  inset dividers onto the floor". Use the following example as a guide.



72 Create the first line vertically, in the middle of  the two circular windows. Then, create another line horizontally. You should  have something like the following figure.



Sealing up our 3D space/futuristic gallery

73 We are now going to close up our room around the  edges so that it looks like a real room. To start, choose the Rounded Rectangle  Tool from the Tools Panel. In the Options bar of the Rounded Rectangle Tool,  set the Radius value to 15px.



74 Create the rounded rectangle shape onto the canvas  such that it covers the entire room area. Notice that in the following figure,  the rounded corners hang over a bit to the left and right.



75 Create a new layer and fill in the rounded  rectangle with any color, it doesn’t  matter what color you choose because it’ll be covered up layer styles.

76 On our rounded rectangle layer, we’re going to add four  layer styles: a Drop Shadow, a Bevel and Emboss, a Color Overlay, and a Stroke.  Please refer to the subsequent figures to get the settings that should be  applied for each layer style.

The following figure is for the Drop Shadow layer style:



The following figure is for the Bevel and Emboss layer style:



The following figure is for the Color Overlay layer style:



The following figure is for the Stroke layer style:



77 We’ll finish the gallery’s edge. First, create a  marquee selection around your rounded rectangle layer by holding down the Ctrl  key and then clicking on the layer’s thumbnail; this will load the appropriate  selection.

78 Next, we shrink the marquee selection by choosing  Select > Modify > Contract. We contract the selection by 8 pixels.



79 Now, we delete the area underneath the contracted  marquee selection by choosing Edit > Clear or pressing the Del key. After deleting the selected area, see  if your work resembles the following figure.



Adding shadows to the gallery for realistic lighting effects

80 We want to make our lighting and shadows as  realistic as possible to really give the design a three-dimensional look. To  start, choose the Rectangular Marquee Tool from the Tools Panel and create a  rectangular selection using the following figure as a guide.



81 Next, create a new layer underneath the gallery’s  border, but above all of the other layers.

82 Set your foreground color in the Tools Panel to  black (#000000).

83 Choose the Gradient Tool from the Tools Panel, and  in the Options bar, choose the Foreground  to Transparent color gradient, and choose Linear Gradient as the gradient style.



84 Make sure the marquee selection you made on Step 80  is still there, and also that the active layer on the Layers Panel is the  newly-created layer. Create the linear gradient by dragging your mouse from the  top of the gallery, to the bottom, and inside toward the middle of the marquee  selection.

85  Lower the  opacity of this layer down to the about 60%.  This layer is now our shadow layer. Check the following figure to see if you  were able to create the shadow accurately.



Designing the left and right arrow buttons

86 The images in our gallery will move left and right.  To allow the user to move through the image thumbnails, we’ll need to give them  left and right controls. To start, create a small circle on the left side and  on top of your rounded rectangle border layer using the Elliptical Marquee Tool  in the Tools Panel.

87 Fill the circle with any color by choosing Edit  > Fill (Shift + F5).

88 Now, we’ll add four layer styles: a Drop Shadow, a Bevel and Emboss, and Gradient  Overlay, and a Stroke. Refer to  the subsequent figures for the settings of these layer styles.

The following figure shows the settings for the Drop Shadow layer style:



The following figure shows the settings for the Bevel and Emboss layer style:



The following figure shows the settings for the Gradient Overlay layer style:



The following figure shows the settings for the Stroke layer style:



89 Check your work against the following figure; it  should look something like this:



90 Now, we’ll add a leftward pointing arrow onto it. We  do this by using the Custom Shape Tool in the Tools Panel. In the Options bar,  choose Arrow 9 under Shape.

91 To create the right arrow, we simply duplicate the  circle layer and the arrow custom shape layers. First, choose both layers in  the Layers Panel by holding down Ctrl while clicking on each layer. Then,  right-click on the Layers Panel and choose, Duplicate Layers.

92 With the duplicated layers still the active layers  in the Layers Panel, choose Edit > Transform > Flip Horizontal to  reorient the layers to point to the right.

93 With the Move Tool (V), move the rightward pointing  arrow across the room, to the opposite of the leftward pointing arrow.



Creating the gallery’s thumbnails

94 Choose the Rectangular Marquee Tool (M) from the  Tools Panel, create a new layer, and then create a square inside the room.

95 Fill this marquee selection with any color by  choosing Edit > Fill (Shift + F5).



96 Now, we’ll apply two layer styles onto the  thumbnail layer: a Gradient Overlay and a Stroke. Use the following  figures as a guide on the layer styles’ settings.

The following figure displays the settings for the Gradient Overlay layer style:



The following figure displays the settings for the Stroke layer style:



97 Check your image thumbnail container to see if it  looks like the following figure.



98 Duplicate this layer twice, and then use the Move  Tool (V) to move them across the room. In the following figure, I used the  Horizontal Type Tool (T) to add text into it.



We’re done!

If you managed to follow along, give yourself a pat on the  back - that was one long tutorial, wouldn’t you say?

The final result

If everything went well, this is what your web layout should  look like. Click on the image below to see the full-scale version of the 3D  space/futuristic image gallery.



Stay tuned for Part 2: making a jQuery-powered image gallery!

In the follow-up tutorial, which we hope to post next week,  I’ll be showing you how to convert this image gallery layout into a fully  functional HTML/CSS template, which we will then animate with the help of jQuery.

To make sure you don’t miss the follow up tutorial, you have  to subscribe to the Six Revisions  RSS feed, which will let you know as soon as the follow-up tutorial is  posted!

The "Space Futuristic Gallery" Tutorial series

This two-part  tutorial series will show you how to create the layout in Photoshop, and  then how to convert the design into a fully functional web template that uses  standards-based HTML/CSS and jQuery in the second part.

Part 1: How  to Design a Space Futuristic Gallery Layout in Photoshop

Part 2: How to Make a Space Futuristic Image Gallery with  jQuery

Post your questions in the comments

If you found any trouble, difficulty, or errors in the  tutorial - please leaves us a note in the comments - we’ll try to help you the  best way we can!

Related content

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How  to Create a 3D Text Photo Manipulation

How  to Create an Illustrative Web Design in Photoshop

Related categories: Tutorials and Photoshop

About the Author

Richard Carpenter is a freelance web and  graphics designer from England. He is also a Blogger and Tutorial Writer, and owner of HV-Designs.co.uk. You can follow him on Twitter - @hvdesigns.



Source: Six Revisions

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bevanjenn

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In this web architecture tutorial, you'll acquisition a way to actualize a 3D space/futuristic arcade blueprint with Photoshop. We awning several methods such as cartoon with the Rectangular Marquee Tool and application the Perspective Transform Tool. This two-part tutorial alternation will appearance you how to actualize the blueprint in Photoshop, and again how to catechumen the architecture into a absolutely anatomic web arrangement that uses standards-based HTML/CSS and jQuery in the additional part.

pattboone

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Consistently modifying and modifying the settings of your store ground will create clients observe products that they haven't formerly seen if they are in a new location.